The stamp is surpassed only by the smiley face, Sesame Street and Earth Day, and surpasses the invention of the video recorder, the bicentenary of independence, the establishment of Monday Night Football, the victory of 4 Superbowls in a row by the Pittsburgh Steelers, the feminist movement and the satellite Pioneer Nel 1998, the disc is the subject of two movie – 54 and The Last Days of Disco – and has a minor role in the film Boogie Nights. The stamp depicts a man and woman, dressed as John Travolta and Karen Lynn Gorney in Saturday Night Fever, dancing under the mirror ball. ![]() About 5 months later, on November 17, the United States Post Office presents a stamp on the disc, in the commemorative thematic series for the “Celebration of the Century”. Almost 20 years after the anti-disco riots, despite the Village People being considered completely “wrong” by deep America, the band even receives a standing ovation. Before the game between the Chicago Cubs and the Milwaukee Brewers, the Village People perform in a concert and sing their biggest hits (“ YMCA ” and “In the Navy” first of all). On Jat Wrigley Field in Chicago is held the “Evening of the Seventies”. Although trapped between two worldviews – between a utopian and communal dream and a cynical and harsh vision in which nothing moves except money – the record was, and is, in favor of integration and community, for the pleasure and fun and not for fatigue, for the democracy of the dance floor and not for the false idols of the stage “. ![]() Peter Shapiro: “ Disco, like hip hop, was born in New York, but today it is as European as the welfare programs and the Mediterranean diet. In reality, the record in Europe has had a slower evolution and diffusion than in the United States, therefore it has never been overexposed or abused: these are the reasons why the record never died on our continent. In European pop culture, however, excessive ostentation and violence often go hand in hand. The Village People, in the USA, are now accepted in the athletic field as a form of entertainment during the interval: the use of the disc as a means to express one’s machismo is unthinkable. In modern society the word “disco” is no longer an unpronounceable term on formal occasions.Įurope has had a different relationship with disco music, and with pop music in general, than America. Many contemporaries feel nostalgia for the disco, and the “70s reenactment syndrome” is widespread the memory of an era so engaging and “rich” in content (contrary to what the detractors of the record claim) is still alive in the minds of the people, aware that that combination of independence, fun, passion, commonality is unrepeatable. The disco years were not just sex, hedonism and drugs, there were above all civil rights, gay rights, freedom, political concessions, a sense of community. Even today the disc belongs to everyone: it is a “spontaneous” music, felt by young people and adults, blacks and whites, experts and amateurs, DJs and ex-DJs, it is “the” popular music par excellence, capable of representing anything for anyone. ![]() It is still a worldwide commercial phenomenon, a cultural heritage that involves several generations. 1979, the year of the death of disco music … But is it true? After 30 years, the term “disco” is still at the center of the scene, and continues to influence music, fashion, trends.
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